Взаимосвязь элементов музыкального языка и междисциплинарные аналоги в творчестве пианиста-исполнителя

doi:10.17223/22220836/43/18

Эндаумент фонд ТГУ!
Впиши своё имя в историю университета
- Сделать пожертвование -

Add to "Quick Collection"

Description	Size	Format
Взаимосвязь элементов музыкального языка и междисциплинарные аналоги в творчестве пианиста-исполнителя	911 KB	Adobe Acrobat PDF	Read	Download
DOI Доступ к ресурсу на сайте издателя			10.17223/22220836/43/18

#музыкальный язык

#пианисты-исполнители

#междисциплинарные аналоги

Title: Взаимосвязь элементов музыкального языка и междисциплинарные аналоги в творчестве пианиста-исполнителя
Title: The relationship between the elements of the musical language and interdisciplinary analogs in the work of the Pianist-performer
Creator: Приходовская, Екатерина Анатольевна
|
Окишева, Анна Александровна
Date: 2021
DOI: 10.17223/22220836/43/18
Description: Рассматриваются основные элементы музыкального языка и ряд междисциплинарных аналогов, составляющие единый комплекс, восходящий к междисциплинарным синестетическим основам творческого сознания пианиста. Междисциплинарный подход обеспечивает единство всех элементов музыкального языка в контексте единого образа, воплощенного в тексте. Большое значение отведено интонационному разнообразию. Приведены примеры из музыкальных и литературных произведений, которые позволяют выявить различие и сходство каждого из элементов. The performing process is the creative process of reproducing musical material. The performer not only "deciphers" the meaning of the work laid down by the composer, but also creates new images in real time. In order to understand the composer's intention, the performer pianist should turn to the works of painting, literature, etc. The first place among related art forms that create a number of interdisciplinary analogues is rightfully given to literature: in literature, as well as in speech in general (colloquial speech, in this case, we consider as a material, "raw material" of literature), one of the leading expressive elements is intonation (remember the relevant research by B. Asafiev). Thanks to the synthesis of music, literature, painting, the performer assimilates an artistic image, which makes it possible to combine disparately fixed means of expression into a single emotional message. It is the integral emotional message that is the subject of the transfer of the artistic message from the addressee - the author of the music - to the addressee (listener). Therefore, on the part of the pianist called to convey this message, it is of great importance to pay attention to the components of this message, among which the most significant are: musical melody, as in the human language, consists of phrases and sentences. Some basic types of melody are distinguished: horizontal movement, upward movement, downward movement, wavy melody, melody with leaps. Harmony is an important element of the musical language. Along with painting, literature, music also cannot exist without a harmonic foundation. She gives variety and color, is responsible for the semantic and emotional load of the entire work. Rhythm is important. The existence of a piece of music is impossible without rhythm. We can find rhythm in literature in the form of proportionality of lines. It is impossible to imagine a piece of music without tempo. The tempo affects the character of the piece. If the tempo distorts the character of the music, then a mismatch of the musical image occurs. The tempo in speech can be different. It depends on the content of the statement. Dynamics play an important role in music. With its help, the form of the composition is built. Dynamics is able to divide the work into structural parts, as well as contribute to the development of thematic material. The dynamism of the plot is also found in literary works, where there is a constant change in the situation and states of the heroes. So, all the elements of the musical language are combined in the pianist's work. It should be noted the special role of interdisciplinary analogies: music does not exist by itself, analogs of many phenomena of musical speech can be seen both in colloquial speech and in its literary refraction. The presence of such analogs significantly expands the "field" of the pianist's creative activity from mono-timbral art to a complex interdisciplinary approach.

Relationships: Show Relationship Browser for this Object
collection(s): Институт искусств и культуры | Журналы ТГУ
Identifier: смотреть в электронном каталоге НБ ТГУ
Type: статьи в журналах
Source: Вестник Томского государственного университета. Культурология и искусствоведение. 2021. № 43. С. 222-230
Language: rus

Created: 23-12-2021

813 Visitors

519 Hits

313 Downloads

Институт искусств и культуры

Журналы ТГУ Взаимосвязь элементов музыкального языка и междисциплинарные аналоги в творчестве пианиста-исполнителя